Showing posts with label Television Perfomers. Show all posts
Showing posts with label Television Perfomers. Show all posts

Sunday, April 26, 2009

Actress Beatrice Arthur Dies at 86 - Interview Online

Bea Arthur, the Emmy-winning star of Maude and The Golden Girls, who also garnered a Tony Award for the musical Mame, died Saturday at 86. In January, one of her last public appearances, she was inducted into the Television Academy Hall of Fame. She was interviewed by the Archive in 2001. Click here for her New York Times obituary (with a reference to our interview). The entire 2-1/2 hour interview can be viewed here.

When asked in her interview how she'd like to be remembered, she responded: "As an artist. An important artist."

Here's a selection of clips from the Archive's interview:



Interview Description:

Beatrice Arthur was interviewed for two hours plus in Brentwood, CA. In the interview, Arthur talked about the origins of her stage name and how she started out in plays, off and on Broadway. She then talked about her first movie roles and her appearances on The George Gobel Show and Caesar’s Hour. She described her other early appearances on television in The Seven Lively Arts, Omnibus, Perry Como’s Kraft Music Hall and her role in the play and feature film Mame (with Angela Lansbury and Lucille Ball, respectively). She talked about her appearances on All in the Family as the liberal cousin Maude. She then discussed the controversial issues and topics that the series Maude tackled, (such as alcoholism, abortion, death, infidelity and feminism). Arthur also talked extensively about working with Norman Lear on All in the Family and Maude, watching the show 20 years after it first aired and why she eventually left the show. She then briefly talked about her series Amanda’s and then talked affectionately about The Golden Girls. The interview was conducted on March 15, 2001.

Friday, February 06, 2009

Robert Culp's Interview is Now Online

Iconic actor Robert Culp's Archive interview is now available online! For I,Spy fans, here's a short segment from his interview:



Click here to watch the entire 3-hour interview.

Full Interview Description:
Robert Culp was interviewed for three hours in Los Angeles, CA. Culp talks about his childhood interests and how he aspired to be an animator for Disney when he grew up. He talks about his acting training and his move to New York City. He explains how he was able to get work in television as an indirect result of the Hollywood Blacklist: since he was a newcomer. He discusseshis early experiences in Los Angeles as a struggling actor and describes his first role as a series regular on the series Trackdown, which he calls a “western Dragnet.” He describes some of the roles he had in a variety of the popular TV genres of the day— western, detective, medical, sci-fi— including his memorable parts on the classic sci-fi anthology The Outer Limits. He then speaks in great detail about the role and the series for which he is most closely associated: “Kelly Robinson” on I, Spy. For this series he talks about the on-location shooting, working with co-star Bill Cosby (and the controversial casting of an African-American lead), and talks about some of the series’ episodes that he wrote as well as acted in. He then discusses two other series for which he memorably appeared: The Greatest American Hero and Everybody Loves Raymond. The interview was conducted by Stephen J. Abramson on November 6, 2007.

Tuesday, December 30, 2008

New Video: Excerpts from Eartha Kitt's Archive Interview

By now you've probably heard that the great performer and legendary songstress (and one of Batman's three "Catwoman"), Eartha Kitt died on Christmas Day, 2008 at the age of 81. The Archive of American Television was privileged to interview Ms. Kitt about her television work in 2002. In memoriam, here are some excerpts from the interview:




Eartha Kitt
(1927-2008) was interviewed for nearly an hour-and-a-half in New York, NY. Kitt briefly talked about her early stage work in New York and abroad, and her opinions regarding a performer’s relationship with the audience. She described appearing on “live” television in New York in the 1950s, on such series as Omnibus and The Ed Sullivan Show. She discussed the difficulties faced by African-Americans regarding their appearances on television. She discussed her work in filmed television, including guest shots on such series as Mission: Impossible, I Spy, and Batman (as one of the more memorable actresses who played “Catwoman”). The interview was conducted by Michael Rosen on October 15, 2002.

Tuesday, September 02, 2008

MSN Entertainment Celebrates 60 Years Of Emmy

MSN and the Academy of Television Arts & Sciences are presenting classic clips from 60 years of the Primetime Emmy Awards. Additionally, Emmy winners who have been interviewed by the Archive of American Television share their stories about their Emmy-winning work and their experiences on Emmy night.

Click here to access dozens of clips posted on MSN.

Below are three of the video pieces: Doris Roberts discusses her work on Everybody Loves Raymond and her Emmy acceptance speeches, Joseph Barbera talks about pitching Huckleberry Hound and what winning the Emmy meant to him, and Tim Conway & Harvey Korman talk about their work together and comedic Emmy appearances.

Emmy Archive: Doris Roberts
Emmy Archive: Doris Roberts


Emmy Archive: Joseph Barbera
Emmy Archive: Joseph Barbera


Emmy Archive: 'The Carol Burnett Show'
Emmy Archive: 'The Carol Burnett Show'

Friday, August 29, 2008

Archive Interviewee Jerry Lewis Discusses the MDA Telethon

The 43rd annual Jerry Lewis Labor Day Telethon to benefit the Muscular Dystrophy Association will be broadcast live from Las Vegas on Sunday, August 31. “I’ll never wave the white flag in the fight against muscular dystrophy and other muscle-wasting diseases,” Lewis has said. “Not only is the Telethon a chance to help put an end to these debilitating diseases, but it’s also a way to inform and educate the public, while having a darn good time.” Last year's telethon ended with a record-setting $63.8 million in donations and pledges. A new feature of this year’s broadcast is the Jerry Lewis Telethon Online Auction at www.mda.org/auctions.

Jerry Lewis was interviewed in October 2000 by the Archive of American Television where he talked about his long association with the annual event.

On doing a telethon with Dean Martin in 1949:
We did a telethon for two hours with the mail carriers in 1949. Then we went to Carnegie Hall in 1950. He did the six-hour telethon with me there… We did MDA from ‘50 to ‘52, and then there was a hiatus. I didn’t do another one till after we split up. But he was very helpful and he understood it was something I had to do and he was very supportive.

On going national with the telethon:
In 1950, Dean and I did the first telethon out of WNEW New York. That was the flagship. The flagship meaning they also had stations in New Jersey and Connecticut… Then we were on hiatus from ‘53 to about ‘57. And in that, in the interim Dean and I had split up, and then I was doing the telethon local New York, New Jersey, and Connecticut from ‘57, ‘58, ‘59. Then in 1960 I started to travel to get stations, because we were on three stations, New York and two, whatever that was. By 1960 I was already getting seventy stations, ninety stations. ‘61, ‘62, I’m into a hundred and four stations. ‘66, we went national. I had taken those years to put everybody in place and then finally get them to go with us, when we went national. So we were the first telethon to ever go in color, the first telethon to go coast-to-coast, and by the time we went into 1970 I had 213 stations. We moved the telethon in 1973 to Las Vegas for the first time. And this last year [1999] was my fiftieth year. It’s hard to believe that I’ve been doing it for 50 years. But the thing that is so magnificent is that the television medium helped me generate a billion seven hundred million dollars in these last 38 years, because twelve years I didn’t raise two hundred thousand dollars.

On the hope for a cure:
And God-willing, again, because of television, we’re going to find a cure. We’re into DNA now, we’re into genetic engineering, which is certain to give us information. And now I’m being told by the clinicians and the researchers and the lab people, you’re going to see the cure in your lifetime. I mean, it’s incredible.

On special moments on the telethon through the years:
Jack Benny came on and destroyed the audience. I had introduced him and he walked on and he looked right in the camera and he thought for a minute, he looked in the camera again. He looked around, and he said, "I don’t guarantee that I’m going to make a pledge." And we were destroyed! Everybody was hysterical. And he leaned on that for about another minute of just staring. I’ll never forget what that man did with one thought. “Cheapest man in the world,” he’s not going to make a pledge. The Ritz Brothers came on and did the act that they did in vaudeville forty years before, and it was spectacular… I had the hundred and twenty Russian Bolshoi ballet. A hundred and twenty coming right at the center camera, one at a time. One at a time. And about after a hundred and three I was in it. I did my thing. I’ll tell you one thing that I could never ever forget. Mary Passalacqua was a victim of neuromuscular disease, and I went to the hospital to see her in San Francisco, hoping that she would be better. And she was, she was skeleton-like. She was dying so badly. And we funded a thing called plasmapheresis, which flushes the bad blood out and puts new blood in, and she had been given the last rights when I arrived there. When I arrived there she was the epitome of what hero worship is, because she saw me and she, she practically came alive. And then I left, I said good-bye, never though I’d see her again, and then I get a letter from her two months later. Thanks so much for visiting me: it made the difference. I’m doing well. I’m fine. And P.S. my dream is to one day dance with you. I read the letter on television in front of eighty million people. And then I pointed to the curtain and there she came. She walked out and she and I danced dead center of that stage. There wasn’t a dry eye in the house. She’s alive and well because of our funding the plasmapheresis syndrome. And that’s probably one of the most unforgettable things, because I was trembling so, trying to dance and be cool. It was so important to her and to everyone else that was a victim. It was a special moment for people in trouble.

On his 1976 reunion with Dean Martin on the telethon:
The other great moment that’s pretty close emotionally was when Frank [Sinatra] decided to bring Dean on and have us embrace, and stop the twenty years of silence, because it was twenty years we hadn’t talked. And Frank worked it out. He worked it out so that everyone in that studio, every member of my staff— nobody knew Dean was coming on. The only one that knew it was Ed McMahon. So I could never have heard about it. It was such a total surprise. And when you look at the footage and you see the look on my face and the look on his face you see two men that love one another. It was an incredible moment. It was great television.

On the instituting of “ You’ll Never Walk Alone” as the telethon’s closing song:
In 1950 I had the occasion to go to Chicago and visit a twelve-year-old little boy who was suffering from spinal atrophy. And they had operated on him and put a shunt in his spine so he could sit up. And when he saw me he said, I got to tell you something. I just love what you do, and, and you know, you should have a theme song. Twelve years old. I said, what do you mean, a theme song? You should have a song for all of us kids. Your kids. I said, a song like what? He said, “You’ll Never Walk Alone.” And it was like I was hit between the eyes with a bullet. What? Of course, I know that lyric, I know where he’s coming from. But he was a very bright twelve-year-old little boy. Speaking for all of the kids that were in trouble. I dedicated it to him on Telethon ‘50. I’ve done it for fifty years.

Link to information about the 2008 MDA telethon.

The entire five-part Archive of American Television interview can be viewed by clicking here.

Additionally, Archive interviewee Eddie Foy III also spoke about working with Jerry Lewis on the MDA Telethons (six minutes into part 10 of his interview).

Interview Description:

Jerry Lewis was interviewed for nearly two-and-a-half hours in San Diego, CA. Mr. Lewis described his rise to stardom and his work on early television, including hosting The Colgate Comedy Hour with his partner, Dean Martin. Mr. Lewis spoke of his many accomplishments in the entertainment industry and his major work in television, including his annual telethons for the Muscular Dystrophy Association. The interview was conducted by Sam Denoff.